In this Presentation in the Temple scene, Alvaro Pirez demonstrates remarkable talent for composition and chromatic harmony.
The sacred figures, arranged in a frieze according to medieval tradition, stand out against an architectural background where coral pink walls alternate with golden ochre buildings. The ample, fluid draperies, treated with great delicacy, reveal the influence of the Florentine school. The palette, particularly refined, plays with precious tones: the deep blue of the Virgin’s mantle, the olive green and saffron yellow of the other figures. The halos, finely chiseled in gold, testify to great technical mastery. The artist manages to infuse the scene with great dignity while preserving a touching intimacy in the exchange between the protagonists.
Additional Information
- Title: The Presentation in the Temple
- Artist: Alvaro Pirez (active early 15th century)
- Date: circa 1405-1415
- Dimensions: 13 3/8 x 15 7/8 in. (34 x 40.3 cm)
- Location: The Metropolitan Museum of Art, Fifth Avenue, New York, Gallery 537
- https://www.metmuseum.org/art/collection/search/437298
Alvaro Pirez (active early 15th century) is a fascinating figure in Gothic painting, perfectly illustrating the artistic exchanges between Portugal and Italy in the early 15th century. Likely trained in Portugal, he established himself in Tuscany where he developed a personal style synthesizing Iberian and Italian influences.
His career, primarily documented in Pisa, testifies to the intense circulation of artists and artistic models throughout medieval Europe. Although less known than his Florentine contemporaries, he represents an important link in the evolution of Gothic painting toward the early Renaissance.
